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The metropolitan opera cinderella
The metropolitan opera cinderella






the metropolitan opera cinderella the metropolitan opera cinderella

For an 1820 revival in Rome, Rossini wrote a bravura replacement, " Là, del ciel nell'arcano profondo".Īccording to the account given by librettist Jacopo Ferretti, the genesis of this work – whose literary and musical aspects were both created with surprising speed – began in December 1816. The facsimile edition of the autograph has a different aria for Alidoro, " Fa' silenzio, odo un rumore" this seems to have been added by an anonymous hand for an 1818 production. Rossini saved some time by reusing an overture from La gazzetta and part of an aria from The Barber of Seville and by enlisting a collaborator, Luca Agolini, who wrote the secco recitatives and three numbers (Alidoro's " Vasto teatro è il mondo", Clorinda's " Sventurata! Mi credea" and the chorus " Ah, della bella incognita"). La Cenerentola, which he completed in a period of three weeks, is considered to have some of his finest writing for solo voice and ensembles. Rossini composed La Cenerentola when he was 25 years old, following the success of The Barber of Seville the year before. Rossini's opera was first performed in Rome's Teatro Valle on 25 January 1817. All these operas are versions of the fairy tale Cendrillon by Charles Perrault. The libretto was written by Jacopo Ferretti, based on the libretti written by Charles-Guillaume Étienne for the opera Cendrillon with music by Nicolas Isouard (first performed Paris, 1810) and by Francesco Fiorini for Agatina, o la virtù premiata with music by Stefano Pavesi (first performed Milan, 1814). La Cenerentola, ossia La bontà in trionfo ( Cinderella, or Goodness Triumphant) is an operatic dramma giocoso in two acts by Gioachino Rossini.








The metropolitan opera cinderella